001: REMODELING
For two weeks, the devils have lived in relative peace. Coexistence is noble, after all, and this is a place ripe for cohabitation. But with every stutter in reality, every gap in the walls and every tear in existence itself, there comes a certain reminder: this place isn’t safe. This place isn’t truly meant for you - not for humans, and not for devils. This place isn’t home.
It’s time to fix that.
All it takes is one moment - of weakness, of want, of
please come in - to let the devil in. Whether it’s your body or something else entirely doesn’t matter as much as you’d think. The next time the walls open, the next time the station yawns in complacency, reach in and grab hold. These walls have kept you imprisoned here for too long; it’s time to put up some decoration of your own. Maybe they’re subtle, things from your subconscious that mirror your needs and desires. Maybe they’re in keeping with your new changes, eyes and roots and fur where there weren’t any before. Or maybe they’re something entirely new, fractals recursing into infinity born from light bouncing through impossible angles.
Regardless, to those who pour themselves into these walls, the changes don’t “go back to normal” when the distortion is over. They remain, a monument to you and the ones who made this possible.
For some, this will be a gift. These walls can be friendly now, or aggressive, or anything their devil desires. But for others, this may be a step too far. What little semblance of normalcy the station once had is being shattered, after all.
But what can you do to fight back when the world around you is corrupting? What is there to do other than hope and pray that someone hears you?
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"Yeah. Don't worry, Marina, I get that much." It's not said quite hopelessly, but there's already a bit of resignation in it. "And- I guess not? I probably should have thought about the whole Evil Fourth Eye thing. Haha."
But it's Tyl Regor that really gets her attention. She's - a little intimidated by him, of course. Their meetings so far haven't been too bad, but he certainly seems ready to strike out now. Her shoulders tense; her knees bend, just a tiny bit, as she keeps herself ready to move with a moment's notice. And it's that last bit of aggression that pushes her over: them with their radios, and she as the devil.
It's a doomed battle, of course. Two can stand against the devil; what chance does she have against three?
"Are you sure she did all that?" She keeps her voice at least somewhat level, despite the clear tension in her back. "Do you really think the station will go back to normal if she's gone?" Because she sure doesn't. And judging from the way she's crossing her arms, she doesn't think his argument's very convincing.
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"Some of the other devils are changing the station themselves," she explains, though she thinks Venus probably already knows, because Venus was a devil before anyone else here was, and Venus started this. "And these things change things back, even things I don't think any of you are doing specifically."
Marina turns her brella stick over in her hands, twirling it. It looks a little silly without the canopy. It's still not on, though.
"I've been tracking the signal through the communicators, and I know it's a radio-like signal, and these," the tech they found in the chapel, "give off radio-like signals, too. They have to be connected."
1/2
A truly interesting, personal narrative! --Also Venus seems far more threatened by him.
How utterly... unacceptable.
2/2
Gundam doesn't have any tentacles to dramatically rip off his person, but he can certainly gesticulate with the best of them.
"I am not so cruel as to yearn for a meaningless death." Of course if Venus believes in her cause and wishes to fight for her ideals he can understand such a thing. He'll oblige her to the bitter end.
Re: 2/2
More importantly! Or immediately, anyway: "You're stalling." He takes a step closer, dead tentacle trailing from his hand. "I'm not fond of that at all."
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But he hasn't struck yet. Venus heaves a sigh, focusing her attention on Marina (or at least trying to, with Gundam's gesticulations and Tyl Regor's- well, everything). "Yeah. You got it in one. They're all radios, only-" She doesn't step away from the wall, but she does jerk a wing in Marina's general direction. "-those are tuned to the wrong station. Or, well. I guess the right one for you guys? The heroes taking the station back to what it was. Haha."
Yeah, forgive her if she's a little bitter. She's on edge and doesn't honestly think she'll be making it out of this just yet.
She finally turns to Gundam, ready to acknowledge his grandiose announcement - and frowns softly. "It's not the Hell we wanted. But it's as close as we can get around here. A station under our control... that's not so bad, is it?" A meaningless death, he proclaims, and she can't help but laugh softly as she thinks of it. That's what it's coming down to, isn't it? She's not letting go of the devil - of herself. And she's not letting go of the one thing she's managed to really offer anyone in this place.
And if she won't, well...
No time to think about that. She takes one step back towards the wall, wings beginning to fan out to block their vision of the thing inside it. "Sorry, Gundam." She doesn't look sorry at all - upset, maybe, a bit rueful, but not a single ounce of apology. "Think you can teach me some of your eyeliner tricks once I'm back?"
Her mind's set. All that's left is to watch for who strikes first.
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And they have to live here, too, until everyone figures out how to go home. A place under control of the devils, from what Marina has experienced, feels as unsafe as the station did before. Maybe more for someone like Marina, who understands the science of metal and wiring but doesn't understand angles that are more obtuse than they look and perfectly parallel lines that intersect anyway.
This is going to be a fight, isn't it? But Marina isn't going to strike first. Her radio stays off. Let that prove her intentions, if nothing else will.
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But for some reason, not everyone here has gotten with the program. "Oh, nobody has to, but I think they will anyway." And without pausing a second more, he charges forward--and disappears, leaving only a small burst of light and a strange, wing-fluttering sound.
...For about half a second. He reappears over Venus' head, radio blaring, leading with the elbow of his new arm.
first tag... after game's end i guess?? CHASE SCENE BEGIN
And then there's a burst of light, and Tyl Regor is gone.
Venus stops in her tracks, a hundred different eyes swiveling to find where he could possibly be. She doesn't even wait the full half-second: she immediately reaches back behind her, wrapping her hand around the familiar hilt of the radio. It's been a long time, now, but it still fits into her hand; still has that comforting, terrifying weight beneath it.
She grips tight and rips it out, wiring and tendrils all snapping together as the radio bursts free. There is a sharp whine of static, a sudden flare of noise, and then a burst of light; she brings it up, holding it defensively in front of her just in time to see Tyl Regor body slamming her from above. His radio is loud, painful; his aim is true. Venus moves to stumble out of the way, but it's too late - he makes contact with a nearly musical sound.
Venus reels back from the hit, the noise and the radio both sending her off balance. But the radio in her hands - the one spewing static and light and that sweet, sweet song - let her recenter herself, and with one look at Marina she makes her mind up.
She turns and runs, light trailing behind her as she tries to make her escape.
no subject
Marina turns her radio on and blasts silvery liquid metal on the ground. In an instant, she's an octopus, cutting through the metal like a fish in water (or an octopus in water, maybe).
If she can get to Venus and the radio first, maybe this doesn't have to be as bad as it could be.