Takeshi Kovacs (
resleeves) wrote in
reverielogs2018-07-11 01:06 pm
open ⇉ here we go 'round the mulberry bush
» WHO? takeshi kovcs + ota
» WHEN? after the event
» WHERE? his room, bar, mess hall, various corridors
» WHAT? just fuck me up
» WARNINGS? violence, violent imagery, gore, possession, terrible things, language
( the ceiling is white.
the ceiling is white the ceiling is white the ceiling is white. he's been repeating that to himself for the last two minutes because nothing else is working. he's breathing. he's blinking. but he can't move. he's been staring at the fucking ceiling for long enough that he hates the color white.
at first, he thinks it's some side effect of the music but it's been quiet for a few days now. quiet enough that he'd been able to sleep in the wrecked remains of his bed. it's quiet right now.
the ceiling is white. kovacs blinks and
-- he gets up. )
( he's staring at the bottles.
most of them are empty, upended or broken and he's just staring like just his gaze alone will make alcohol magically appear in the bottles. but, they remain empty. hadn't this been someone's job, to get them more alcohol? hadn't that been assigned to someone as a top priority? wasn't there any fucking responsibility on this fucking station?
in the absence of alcohol, kovacs unfolds his long frame from the stool and finds himself some water.
sips it. finishes it. repeats the process until he feels his thirst receding. then, he resumes his spot on the stool and keeps staring.
thoughtful. introspective.
vacant. )
( a man has to eat.
there's a tray of food in front of kovacs that he's been picking at for a few minutes now. he barely tastes the food, barely even processes what he's eating but it's tasteless, inoffensive. whoever fixed the replicators did a halfway decent job. compliments to the chefs and all those fucking sweet nothings.
kovacs picks up one piece of food, brings it up so it's right in front of his eyes and then he flicks it towards the door, uncaring if anyone's making their way in and gets a fucking piece of food stuck to themselves.
one corner of his mouth lifts up and a brief, sharp laugh slips out before he's back to frowning, back to his food. )
( when he sees her, he smiles.
down the hall, a few feet away, lies the body of his sister. reileen. reileen who'd watched as he'd killed their father. reileen who'd been given to the yakuza. reileen who had left him. left him so along ago.
back where she belonged. with him. as he steps closer, boots echoing off the floor, he inhales deeply and smells the rot, the death. her hair is a halo around her head, some strands clinging stubbornly to her cheek and chin.
her eyes are open.
when kovacs is close enough, he crouches down beside her and rubs a tender, feather light hand over her cheek and up her forehead. her skin is clammy and grey. cold. she's so cold. she needs to be warmed up.
his hands are strong and assured when he reaches for her shoulders and turns her over. they're soft and efficient when he brushes the hair off the back of her neck, exposing her skin.
he has no knife. so he uses his fingernails.
with only the slightest tensing of his jaw, kovacs digs his nails into the back of her neck like a rabid animal. he scrapes and pulls, pushes and tears until blood spills over his hands, and onto the deck below.
he doesn't stop. an envoy's strength is significant and he uses that to brutally dig a gash into the back of his sister's neck. his thumbs pull apart the raggedly cut skin until he can see the muscle and bone below.
he reaches in and breaks her spine at the neck. the sound of bones popping echoes off the walls and kovacs moves those aside to grab what he's looking for.
with a grunt, he rips the stack out of her neck and holds it up. it's covered in blood and tissue, still glowing a brilliant blue color.
with his sister's neck open and smeared with blood, kovacs gets to his feet, turns and smashes the stack against the wall over and over again. blood from his hands transfers to the wall, leaving behind smudged bloody palm prints and fingerprints.
the stack cracks. it breaks. it bends. it shatters to pieces that fall harmlessly to the floor.
and then kovacs steps on them, grinding them down into his sister is reduced to dust underneath his shoes.
kovacs sighs. with that done, he turns back the way he came, covered in reileen's blood and body tissue. he tucks his hands into his pockets and walks off as if there wasn't a scene of horror behind him. )
( kovacs is a mess by the time he's back in his room.
well, that just requires a shower, doesn't it? stripping himself of his jumpsuit and stepping into the shower. he washes himself free of the bits of his sister that have clung to him and then he steps out, dries off, puts his clothes back on and lays down.
he closes his eyes. takes a breath and
-- gets up again. )
Fuck.
( the word is a whispered note of pain. of terror. of unbelievable anger. he has no idea what's just happened but he remembers it all. he remembers every fucking detail and with a growl that reverberates down the hall, he shoots out of his bed and down the hall.
he takes a path that he wishes weren't sickeningly familiar until he's standing at the end of the corridor staring at the carnage he'd just inflicted.
staring at his sister with the back of her neck a gaping maw and her body ignored and abused by the one person she'd trusted. by the one person she'd loved.
for once in his life, kovacs doesn't know what to do. )
( what's up, party people! just wanted to put a few notes down here for a few things. obviously, the first two prompts are kovacs but not. but, it's a very close replication and though i'm cool with people being able to figure it out, if you don't know him well, you wouldn't be able to tell there's a difference. if you know him well, you would.
in the prompt with his sister, you're not going to be able to stop him from doing what he does. feel free to witness it or try to stop but in the end, he's going to complete the process of destroying her stack.
in the last prompt, he's going to end up spacing the body (because safest, most hygienic option) but might need some assistance because, you know. )
» WHEN? after the event
» WHERE? his room, bar, mess hall, various corridors
» WHAT? just fuck me up
» WARNINGS? violence, violent imagery, gore, possession, terrible things, language
( the ceiling is white.
the ceiling is white the ceiling is white the ceiling is white. he's been repeating that to himself for the last two minutes because nothing else is working. he's breathing. he's blinking. but he can't move. he's been staring at the fucking ceiling for long enough that he hates the color white.
at first, he thinks it's some side effect of the music but it's been quiet for a few days now. quiet enough that he'd been able to sleep in the wrecked remains of his bed. it's quiet right now.
the ceiling is white. kovacs blinks and
-- he gets up. )
⇉ 01. bar
( he's staring at the bottles.
most of them are empty, upended or broken and he's just staring like just his gaze alone will make alcohol magically appear in the bottles. but, they remain empty. hadn't this been someone's job, to get them more alcohol? hadn't that been assigned to someone as a top priority? wasn't there any fucking responsibility on this fucking station?
in the absence of alcohol, kovacs unfolds his long frame from the stool and finds himself some water.
sips it. finishes it. repeats the process until he feels his thirst receding. then, he resumes his spot on the stool and keeps staring.
thoughtful. introspective.
vacant. )
⇉ 02. mess hall
( a man has to eat.
there's a tray of food in front of kovacs that he's been picking at for a few minutes now. he barely tastes the food, barely even processes what he's eating but it's tasteless, inoffensive. whoever fixed the replicators did a halfway decent job. compliments to the chefs and all those fucking sweet nothings.
kovacs picks up one piece of food, brings it up so it's right in front of his eyes and then he flicks it towards the door, uncaring if anyone's making their way in and gets a fucking piece of food stuck to themselves.
one corner of his mouth lifts up and a brief, sharp laugh slips out before he's back to frowning, back to his food. )
⇉ 03. corridor cw: violence, violent imagery, gore, creepiness
( when he sees her, he smiles.
down the hall, a few feet away, lies the body of his sister. reileen. reileen who'd watched as he'd killed their father. reileen who'd been given to the yakuza. reileen who had left him. left him so along ago.
back where she belonged. with him. as he steps closer, boots echoing off the floor, he inhales deeply and smells the rot, the death. her hair is a halo around her head, some strands clinging stubbornly to her cheek and chin.
her eyes are open.
when kovacs is close enough, he crouches down beside her and rubs a tender, feather light hand over her cheek and up her forehead. her skin is clammy and grey. cold. she's so cold. she needs to be warmed up.
his hands are strong and assured when he reaches for her shoulders and turns her over. they're soft and efficient when he brushes the hair off the back of her neck, exposing her skin.
he has no knife. so he uses his fingernails.
with only the slightest tensing of his jaw, kovacs digs his nails into the back of her neck like a rabid animal. he scrapes and pulls, pushes and tears until blood spills over his hands, and onto the deck below.
he doesn't stop. an envoy's strength is significant and he uses that to brutally dig a gash into the back of his sister's neck. his thumbs pull apart the raggedly cut skin until he can see the muscle and bone below.
he reaches in and breaks her spine at the neck. the sound of bones popping echoes off the walls and kovacs moves those aside to grab what he's looking for.
with a grunt, he rips the stack out of her neck and holds it up. it's covered in blood and tissue, still glowing a brilliant blue color.
with his sister's neck open and smeared with blood, kovacs gets to his feet, turns and smashes the stack against the wall over and over again. blood from his hands transfers to the wall, leaving behind smudged bloody palm prints and fingerprints.
the stack cracks. it breaks. it bends. it shatters to pieces that fall harmlessly to the floor.
and then kovacs steps on them, grinding them down into his sister is reduced to dust underneath his shoes.
kovacs sighs. with that done, he turns back the way he came, covered in reileen's blood and body tissue. he tucks his hands into his pockets and walks off as if there wasn't a scene of horror behind him. )
⇉ 04. kovacs' room, corridor
( kovacs is a mess by the time he's back in his room.
well, that just requires a shower, doesn't it? stripping himself of his jumpsuit and stepping into the shower. he washes himself free of the bits of his sister that have clung to him and then he steps out, dries off, puts his clothes back on and lays down.
he closes his eyes. takes a breath and
-- gets up again. )
Fuck.
( the word is a whispered note of pain. of terror. of unbelievable anger. he has no idea what's just happened but he remembers it all. he remembers every fucking detail and with a growl that reverberates down the hall, he shoots out of his bed and down the hall.
he takes a path that he wishes weren't sickeningly familiar until he's standing at the end of the corridor staring at the carnage he'd just inflicted.
staring at his sister with the back of her neck a gaping maw and her body ignored and abused by the one person she'd trusted. by the one person she'd loved.
for once in his life, kovacs doesn't know what to do. )
⇉ ooc
( what's up, party people! just wanted to put a few notes down here for a few things. obviously, the first two prompts are kovacs but not. but, it's a very close replication and though i'm cool with people being able to figure it out, if you don't know him well, you wouldn't be able to tell there's a difference. if you know him well, you would.
in the prompt with his sister, you're not going to be able to stop him from doing what he does. feel free to witness it or try to stop but in the end, he's going to complete the process of destroying her stack.
in the last prompt, he's going to end up spacing the body (because safest, most hygienic option) but might need some assistance because, you know. )

4
Horrified, Daisy is about to step closer to see who it was when she hears hurried footsteps. Quickly walking away and back the way she had come from, Daisy hides just around the corner. The footsteps stop and Daisy dares to peek the corner to find Kovacs there. Of course she doesn’t have any weapon on her, and it was probably stupid on her part to confront him without one.
Sometimes Daisy is just really dumb. Like right now as she comes out from around the corner.]
What the hell did you do?
Re: 4
he's started forward, wanting to go to her, to hold her, comfort her but someone's voice rips him away from that mission and he turns, eyes hard though there was something else behind them, something he was trying desperately to hide. )
It wasn't me.
( it had been...his body -- his sleeve, though. his hands. his boots. it had been him but something else had been controlling him while he watched helplessly.
all that training and he'd been beaten. he'd been thrashed. )
no subject
Really?
[Unsurprisingly she doesn’t believe that. From what she managed to see of her, she didn’t look familiar. Which really doesn’t bring her much comfort.]
So you just came across her like this?
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
Maybe one of these days I’ll stop accidentally calling it a ship.
Re: Maybe one of these days I’ll stop accidentally calling it a ship.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
"Did you see it? Me and the botanist got into the garden this morning."
no subject
"Don't think I've met him," Kovacs muses, shaking his head. "Didn't know you had a thing for flowers, Miller. Trying to find one to give to your best girl."
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
/end
4
Oh Jesus Christ.
[He says, more quietly, and very, very sober. He'd thought resurrection was supposed to kick in, but now that he's seen it there's no escaping the reality of the smell. All the playfulness melts away, and Ricki goes into work mode. Pragmatic, quiet, intent;]
What happened?
Re: 4
( but that's a lie, isn't it? every single frame of how this had happened was in his head, in his brain. it was on constant replay now, telling him what he'd done, the betrayal that he'd committed. )
I didn't do this.
( but he had.
he moves closer to the body of his sister, the scent of blood and death filling his lungs and he coughs, holding a hand up to his nose so he doesn't gag. )
no subject
This is a problem that's going to get worse in a hurry.
[But, a little more gently;]
You don't have to be the one who deals with it.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
02
he's stopping in the mess hall, to grab something to drink before going back to his room when the piece of bread hits him, getting stuck in his hair. brushing it out, he would've thought it an accident if not for the laughter coming from a nearby table. ]
-- asshole.
[ muttered, without looking at the perpetrator, but loud enough to be heard. ]
Re: 02
( he'd heard you, bodhi, he'd heard you. )
Have something to say? I'm sitting right here and I'm all ears.
( talk, bodhi. )
no subject
assuming that he and the food thrower are the same, it's the same guy who'd gotten angry with him just last week for... some reason that he can't recall that well. Bodhi frowns. ]
Oh, it's you. Look, forget it, alright?
[ will mr. no chill go for it? he doubts that. ]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
( o2. )
Alex gets to her friend first, which is fine. Her talents rest elsewhere. )
Hey!
( Her boots echo as she runs, and when she reaches Kovacs she grabs for him, spinning him around with more strength than a girl her size should have. Both hands shove him as they square up, Clary five feet of fury. )
What the fuck was that?
Re: ( o2. )
had he just killed miller? something to check on later. )
I would think it was pretty obvious. He put his hands on me and I removed them.
( with his fist. )
no subject
( Miller does not look like the kind of guy who can give anyone hassle. At least not right now. Every time Clary's talked to him he's come across as fragile. There are plenty of people who probably deserve to get hit on this station. He's not one of them.
And she doesn't like bullies. )
You just broke his face!
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
no subject
He's too late, he couldn't stop it. He feels responsible in a fucked up way even as he's running, full out. His bones really weren't made for this, you know. They also weren't meant to withstand Kovacs' fist, apparently, whether or not he's in his right mind. Miller's out of ammo and out of options. He should stop to get Mike or Amos, but there's no time and then he's nearly careening with the man himself in the hall, blinking as he realizes it's him leaving his room - presumably to go find his own horror scene.
"Kovacs?" he asks, out of breath as he grabs at the man's elbow. Please be home this time.
no subject
He'd put those bruises there. He'd broken those bones. Kovacs looks down at hand, wiggling his fingers and then curses sharply.
"I need -- I have to go find her," Kovacs says, sounding surprising subdued and wrecked. "I think I -- I don't know what the fuck happened. I have to go find her. I have to see what happened."
no subject
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
3
Hank really wishes that had lasted.
Audio logs the crunch of snapping bones as a terminal just a few paces down the hall lights up in trembling blue. The voice that speaks from it sounds human: clear and calm and just a little sick.]
What did she do?
Re: 3
( kovacs doesn't even look up to find the sound of the voice. his focus is still on the reileen and the damage he's caused. the remnants of her stack dust his fingertips and he rubs them back and forth. )
Does there have to be another reason?
So sorry for delay! Lost the tag.
Well, she's not the only one with the hobby.
[Miller's still coming. He should buy time.]
Is this what you do, then?
no problem!
(no subject)
(no subject)
7/12 i guess
he should keep walking, but he tells max with an outstretched hand to stop and sit and he does so obediently, his ears pinning back as he tries to suss out kovacs and what his deal is. ]
Everything okay here? [ he tries to infuse some authority into his scratchy, hoarse tone, his voice obviously tired from unuse. he's seen this man around, he realizes then, though they've never spoken. he isn't a new arrival trying to come to terms with this place. something must have happened, just like what just happened to frank. ]
Re: 7/12 i guess
sleep has been scarce and his eyes are gritty and red. so, when someone speaks to him, he looks up, confusion and then mild irritation on his face. )
Fine.
( didn't he look fine, frank!?!? )
I hate this fucking station is all.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
( bar | later in the month )
their last conversation had been less than pleasant, with vanessa hoping that she wouldn't run into him for some time. that lasted a week, perhaps two. the days had gotten blurred together lately.
it would have been easy for vanessa to turn around and leave but she wasn't in the habit of running away from something uncomfortable. vanessa faced her demons )
Mr Kovacs.
( it was a polite, if quiet, greeting before vanessa sat herself at the bar. a greeting, an invitation if he wished it, but this time she wasn't making a particularly large effort )
Re: ( bar | later in the month )
Thought you'd disappeared.
( it wasn't a roundabout way of telling her to leave. he just hasn't seen her in awhile and, after everything, he hadn't really been in the mood to seek her out either. he'd sought no one out. )
Congratulations on still being here.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)