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reverielogs2018-07-01 07:57 pm
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Entry tags:
- !mod-event,
- !open,
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( 003 » ENSEMBLE ) party time.
» WHO? Everyone
» WHEN? July 1 to July 8
» WHERE? Entire Station
» WHAT? 168 hours of being forced to listen to cheesy music on repeat…
» WARNINGS? the mundane and slightly ridiculous becoming terrible, cheesy pop music, forced sleep deprivation, anger, loss of control, emotions, potential for stabbing, hallucinations, mania, memory loss, confusion, seizures, depression.

It starts in the mess hall and it starts slowly. At first, it can barely be heard over the conversations that are happening but as the volume increases, it becomes apparent that music is playing. Not just any music: characters from Earth will recognise these pop hits from the 70s, 80s and 90s. They’re the kind of hits one might find on a Spotify playlist titled “Top 100 Cheesy Hits” or “Songs To Sing To In The Shower”. Power ballads. Boy bands. Girl bands. Woodstock.
Soon, the music can be heard all across the station, blasting from every speaker, audible in every room. Characters who were asleep in their quarters will be woken by the music’s volume, characters under the shower might want to start singing along (but remember, the walls might just be thin enough for the neighbours to hear) and if characters clear some chairs, there’s enough space in the bar for an impromptu dance floor.
Some characters have been working on improving the replicators, too, so while the alcohol supplies at the bar are dwindling and all but gone, the replicators are now capable of making something that’s palatable, even if it’s not quite up to scratch.
What’s the harm in having some fun? It’s just a little music, right?

It’s just a little music, right? And it is — but it just won’t seem to stop. The first few hours may have been entertaining, at least for those who did not get woken up by the sound of decades (centuries, even) in the past, but the music keeps going long past the point of entertainment.
After two hours, the songs start repeating. After six hours, they’re still playing. After twelve? Still playing. Twenty-four? Still playing.
Sleep becomes all but impossible as the music keeps playing loudly in every room and every corridor of the station. Attempts to shut it down prove unsuccessful.
Forty-eight hours later, the music is still playing.
Characters will begin to suffer the effects of sleep deprivation, in addition to the general irritation that might come from hearing the same two hours worth of cheesy pop songs on a loop: headaches, exhaustion, tremors, irritability and confusion to begin with, followed by lapses in memory, muscle aches, malaise, violent behaviour, hallucinations or mania as cognitive effects set in, possibly also seizures and depression.
And still, the music keeps playing.

The music and the sleep deprivation it causes are the reason for many of the symptoms people are feeling, but something is happening that goes even beyond the music, beyond the lack of sleep: something has changed about the food replicators.
The food is slowly getting better, for one, thanks to a group of individuals who’ve been working on improving them. Beyond that, however, imperceptible, the composition of the food comes with something extra -- namely heightened emotions. Whatever causes it, it’s in the water, too.
Those who are already angry feel angrier and have a harder time controlling that anger. Those who are already sad feel sadder and have a harder time not bursting into tears. Those who are already apathetic feel more apathetic and have a harder time prompting themselves to so much as move. The effect holds for all emotions, heightening them, making them harder to control or counteract. Impulses become action far more quickly than usual. Irritation at the music may become anger at the person singing along under their breath and that, in turn, may lead to someone getting stabbed with a plastic fork.
It’s nearly impossible to keep a cool head, though some people seem more affected than others.
OOC: This part of the plot is completely opt-in. Whatever characters are feeling will be heightened and strengthened and their impulse control lowered. Make sure to get ooc permission for any stabby action of comparable deeds, and keep in mind that non-con is prohibited in game.

After 168 hours, the music stops. Whatever was in the water and the food is gone again, meaning characters may never know it was there in the first place. After all, some of the effects of it could have been down to the sleep deprivation as well…
Still, there’s something off about the whole thing. It might seem like someone is watching them. Toying with them. But surely that’s just paranoia, right?
In the aftermath of sleep deprivation and poor impulse control, characters might want to get some sleep or try to mend those relationships that were damaged by careless words or people getting creative with the cutlery.
Please remember to put warnings in subject lines if so required.

» WHEN? July 1 to July 8
» WHERE? Entire Station
» WHAT? 168 hours of being forced to listen to cheesy music on repeat…
» WARNINGS? the mundane and slightly ridiculous becoming terrible, cheesy pop music, forced sleep deprivation, anger, loss of control, emotions, potential for stabbing, hallucinations, mania, memory loss, confusion, seizures, depression.

0 0 1 » LET’S GET THIS PARTY STARTED
It starts in the mess hall and it starts slowly. At first, it can barely be heard over the conversations that are happening but as the volume increases, it becomes apparent that music is playing. Not just any music: characters from Earth will recognise these pop hits from the 70s, 80s and 90s. They’re the kind of hits one might find on a Spotify playlist titled “Top 100 Cheesy Hits” or “Songs To Sing To In The Shower”. Power ballads. Boy bands. Girl bands. Woodstock.
Soon, the music can be heard all across the station, blasting from every speaker, audible in every room. Characters who were asleep in their quarters will be woken by the music’s volume, characters under the shower might want to start singing along (but remember, the walls might just be thin enough for the neighbours to hear) and if characters clear some chairs, there’s enough space in the bar for an impromptu dance floor.
Some characters have been working on improving the replicators, too, so while the alcohol supplies at the bar are dwindling and all but gone, the replicators are now capable of making something that’s palatable, even if it’s not quite up to scratch.
What’s the harm in having some fun? It’s just a little music, right?
( ♪ )

0 0 2 » I WANT OFF THIS RIDE
It’s just a little music, right? And it is — but it just won’t seem to stop. The first few hours may have been entertaining, at least for those who did not get woken up by the sound of decades (centuries, even) in the past, but the music keeps going long past the point of entertainment.
After two hours, the songs start repeating. After six hours, they’re still playing. After twelve? Still playing. Twenty-four? Still playing.
Sleep becomes all but impossible as the music keeps playing loudly in every room and every corridor of the station. Attempts to shut it down prove unsuccessful.
Forty-eight hours later, the music is still playing.
Characters will begin to suffer the effects of sleep deprivation, in addition to the general irritation that might come from hearing the same two hours worth of cheesy pop songs on a loop: headaches, exhaustion, tremors, irritability and confusion to begin with, followed by lapses in memory, muscle aches, malaise, violent behaviour, hallucinations or mania as cognitive effects set in, possibly also seizures and depression.
And still, the music keeps playing.
( ♪ )

0 0 3 » THERE’S SOMETHING IN THE WATER
The music and the sleep deprivation it causes are the reason for many of the symptoms people are feeling, but something is happening that goes even beyond the music, beyond the lack of sleep: something has changed about the food replicators.
The food is slowly getting better, for one, thanks to a group of individuals who’ve been working on improving them. Beyond that, however, imperceptible, the composition of the food comes with something extra -- namely heightened emotions. Whatever causes it, it’s in the water, too.
Those who are already angry feel angrier and have a harder time controlling that anger. Those who are already sad feel sadder and have a harder time not bursting into tears. Those who are already apathetic feel more apathetic and have a harder time prompting themselves to so much as move. The effect holds for all emotions, heightening them, making them harder to control or counteract. Impulses become action far more quickly than usual. Irritation at the music may become anger at the person singing along under their breath and that, in turn, may lead to someone getting stabbed with a plastic fork.
It’s nearly impossible to keep a cool head, though some people seem more affected than others.
OOC: This part of the plot is completely opt-in. Whatever characters are feeling will be heightened and strengthened and their impulse control lowered. Make sure to get ooc permission for any stabby action of comparable deeds, and keep in mind that non-con is prohibited in game.
( ♪ )

0 0 4 » AFTERMATH
After 168 hours, the music stops. Whatever was in the water and the food is gone again, meaning characters may never know it was there in the first place. After all, some of the effects of it could have been down to the sleep deprivation as well…
Still, there’s something off about the whole thing. It might seem like someone is watching them. Toying with them. But surely that’s just paranoia, right?
In the aftermath of sleep deprivation and poor impulse control, characters might want to get some sleep or try to mend those relationships that were damaged by careless words or people getting creative with the cutlery.
( ♪ )

midnighter | ota.
dramatic chord
This wouldn't normally be such a weird occasion – people have continued to arrive in various states of unconsciousness all over the station ever since Apollo arrived – except somehow Apollo thinks he recognises this particular guy. There’s something weirdly (intimately) familiar about the man passed out in the mess hall. Apollo leans over him, staring in horror at the face as he realises:
Oh, shit. He's a Midnighter.
It’s been three months since Apollo last saw an alternate Midnighter, but now that he’s worked it out he can’t help but kick himself for not realising it sooner. Apollo quickly hunkers down next to the unconscious Midnighter and gently takes him by the chin, turning his head all the better to inspect his features. He’s younger than his Midnighter – younger and leaner and maybe even a little bit scrappier – but he’s undoubtedly one of them.
Which means, ultimately, he’s Apollo's problem. One Apollo or all Apollos, it doesn’t make much of a difference.
Carefully he shakes his by the shoulder, leaning over his unconscious body to press two fingers carefully against his throat to feel a pulse. A pulse. Singular. Non-plural. Apparently this particular Midnighter only has one heart, or is in considerably more danger than Apollo realised. ]
Wake up, [ He murmurs softly. There's an Apollo out there who's missing his Midnighter; Apollo can't help but think how he'd want his Midnighter treated if he turned up on some random space station in the ass end of nowhere. ] God. Please, just wake up.
https://tinyurl.com/y79we28n
[Luckily, he's been here before. Well. Sort of. Most people know by now that if he's asleep, he shouldn't be woken except with the utmost gentleness (or distance), but that wasn't always the case. (Remember that time you throttled that cop who was just checking if you were alive? Don't fucking fall asleep on park benches in nice neighbourhoods, asshole). He lets go just as soon as he grabs on; there's only a moment of pressure, none of it deadly.]
[The computer registers something about solar energy, and Midnighter's immediately suspicious. Kryptonian, probably, since Andrew would know better than to poke him like this, and anyway, he's not here, he is far the fuck away. Shit, he doesn't want to fight a Kryptonian today.]
[Of course, all of this has happened in the time it takes for him to open his eyes. And then, he does.]
...Andrew?
no subject
We've got a small problem, [ He murmurs in to his comms device to a certain someone. Then, louder, he tilts the device aside to fire an aside to (the new) Midnighter: ]
Sorry to disappoint, but no.
[ Whoever the fuck Andrew is, he has no idea. But he'd certainly like to find out. ]
Are you going to wake up or not?
no subject
[It's beautiful, but looking at Andrew is always beautiful. This is worse and better; new, gloriously new, and with just as new spikes of guilt, as though he's cheating on a man he broke up with months ago.]
[He's not dealing with this right now. Midnighter puts a hand up, shooing his companion away, while going to stand.]
I'm up, I'm up. Shit, sorry, thought you looked like somebody I know. [Knew?] Don't worry about it. You've done your civic duty. [Now get out of my face. Nope, still can't say it. He's standing, now, and turning quickly to go, trying like fuck to avoid this... whatever this is.]
no subject
So he just sits there, kneeling, and watches as this Midnighter gathers himself up. He probably shouldn't be standing so quickly after having passed out, but that's another thing that Apollo doesn't feel like doing - telling any Midnighter what he should or shouldn't do. That tends to end badly too.
Except as soon as he thinks that he finds himself saying: ]
Wait.
[ This version of Midnighter is trying to make a swift exit and Apollo isn't quite done with him yet. He slowly pulls himself to his feet, unfolding himself to his full height as he scrutinises the other man with a heavy, slightly suspicious gaze. ]
You are a Midnighter, right?
[ 'A' Midnighter. Not the Midnighter. An important distinction for the man who swore a certain wedding vow. Marrying one Midnighter does not mean marrying them all. ]
no subject
[But he's not going to show his hand that easily.]
Back up. Why are you calling me that?
[A Midnighter. A Midnighter. He wants to know what this guy seizes on. He needs every bit of information he can get from Andrew-The-Harlequin-Romance-Model, and it's the kind of data his computer doesn't pick up.]
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[ Apollo frowns at that detectable edge of sharpness in the new Midnighter. On any other day there would have been nothing but mild patience, but right here and right now there's none of that left within him. That well dried up after the first 48 hours of non-stop cheesy singalong tunes.
And besides, Apollo has a few questions of his own. ]
Who's Andrew?
no subject
[Paranoia or lack of patience, whatever. He jabs an accusatory finger in the other guy's direction.]
You know something. Talk.
no subject
What exactly do you want me to say?
[ Honestly, he didn't understand the question the first time around. Was this guy taking offense at being called Midnighter? ]
Maybe you should go first. Talk.
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a
As soon as her fingers make contact with him she recoils, trying to lean back out of range. Without really knowing for sure what's happened here, she sure as hell doesn't want to be too close if he wakes up thinking she's the one that knocked him out. Of course, the blood on the wall and his hand do tell a pretty clear story. He's likely just an idiot that worked himself up and is paying the price.
"It's time to wake up, tough guy. You can't stay here."
no subject
Tough guy?
He cracks a smile. It's entirely too sharp, but that's just the way his face was made. "Hey, for all you know, I'm a gentle giant." He's like six foot and pure muscle, but whatever. "Thanks for the wake-up call. Shit's still going to hell?"
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But now that she hears him and looks at him, she doesn't think that she actually knows him. Which means that he's likely new. What a time for new people to be stuck in this place. Her hand stretches out toward him, slow and cautious.
"Let me see your hand. I've gotten good at patching up gentle giants that attack walls."
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"Nah, save the supplies for somebody who might need 'em. I heal naturally. This'll be gone in a few hours."
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It sounds a lot easier to just punch through walls than to work at the access codes endlessly. The wall they're near is still intact, but maybe he managed to knock down one or two somewhere else.
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Also, he just. Really. Needs something to punch.
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She has absolutely no problem meeting someone and roping them into helping her cause, even if she doesn't know their name. He seems like a nice enough guy. What could possibly go wrong?
c HI PEL
He takes a breath inward, holds it into his chest, and thinks about turning right round, right round out of the gym and noping out of this for the rest of the afternoon, but he's got enough energy to spare and burning it is pretty much the only thing that might help him sleep through the pop charts self loop cycle. Welcome to Day 1 of hell, boys.]
Uhhh... You know that this song's a meme, right?
who are you again
Not really an internet person. Like how you're not really a gym person.
[Just a shot in the dark, there.]
some weaponized twink
Wow?
Wow.
That's pretty much (entirely true), but that doesn't stop Ryuji from getting assblasted over it for a few hot minutes. It's not his fault that he's got a runner's build and can't bulk up like all the other cool meatheads.]
Holy shit, I think this is the first time in my entire life I've ever just been low key called a nerd.
im sorry.
Hey, now. Never said you were smart.
never apologize
I was kinda goin' for the brawn over brains image here but man, I think you got me beat in both departments. Outwitted, outplayed and outpushupped.
apologizes for forgetting to change the subject line.
So you gonna lie there and take it or prove me wrong?
[He lifts one hand up-- so now he's doing one-handed upside down pushups, fucking showoff-- and points to some 5lb dumbbells.] Those're good for beginners. Get to it, squirt.
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He squints, eyes narrowing, as he walks over to the weights. He can do more than 5lbs. What a jerk. He picks up the 10lb barbell just to doubly exceed his expectations.]
Okay, but what's your secret? I read this manga where a dude had to do 100 pushups, 100 situps, and 100 squats a day before he got ripped, and I can usually get like... uh....... halfway there before I feel like keelin' over.
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I'm a genetically enhanced freak of nature, is my secret. But it sounds like you're not taking breaks, which might be part of it. And you gotta start slow or you'll strain something, asshole.
[He points urgently to the 5lb bells.]
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